![]() With the merger of TV and web the potential audience suddenly increases dramatically, giving us a democratic and completely workable way to become broadcasters in our own right. ![]() I think this is incredibly important for us as content creators because our goal should not be just to create but also to nurture the audience for our work. This is the crucial piece of the whole puzzle as it removes the boundary between traditional media consumption (remote) and the flighty, multi-touchpoint agitated consumption (mouse and keyboard) that characterises the way we consume media online. ![]() It is splintering at a vicious rate and steering us inexorably to the point at which our TVs and our computer screens are, effectively, no longer divided. In the last two installments of this article I talked about the rapidly changing face of online video. Without further ado, here's Robin: The Changing Face of Online Video Next time you see a view count in the millions, you might wonder where some of those views came from! This is not to say that I'm suggesting filmmakers cheat, but No Film School is devoted to sharing the tools that might help a filmmaker succeed, and the ability to hack YouTube is certainly worth filing under "good to know" - even if you never employ such tactics. This is a guest post by filmmaker Robin Schmidt, who today courts controversy with his ongoing series Choosing an Online Video Platform.
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